More often named on the inner sleeve of albums rather than the cover, Juno Award Winning producer, session player, multi-instrumentalist and solo artist Steve Dawson is one of the most respected artists on the Nashville music scene at present.

Solid States and Loose Ends is the eight studio album recorded by the Vancouver born Dawson and includes contributions by many of the artists that he has regularly worked with over the years. Regina and Ann Mc Crary add backing vocals, Fats Kaplin plays fiddle, Jim Hoke contributes saxophone and Gary Craig plays drums, to name a few.

Ten of the fourteen songs are penned by Dawson, a pulsating version of Joe Tex’s You Got What It Takes is also included together with the traditional Delia and Riley Puckett’s Monkey On My Back.

Dawson plays electric and acoustic guitar, steel guitar, chamberlain, mandotar and Weissenborn combined with a relaxed and effective vocal style throughout. Gid Tanner and The Skillet Lickers Henhouse Door (ironically Dawson’s recording studio is called Henhouse Studio) is the final cover, recorded acoustically with sublime slide guitar by Dawson. 

In contrast to his solo acoustic instrumental 2014 recording Rattlesnake Cage his latest album explores a much wider musical landscape embracing gospel, blues, country and beyond. As would be expected the production is immaculate throughout and strong comparisons could be made with the late 70’s early 80’s output of Ry Cooder. Loose Ends opens the album in style, a full rich bluesy sound with delightful backing vocals by the Mc Crary sisters. So much to savour on the album from the pulsating Driver’s Wheel, showcasing the wonderful fiddle playing of Fats Katlin to the laid back California Saviour which includes sweet steel guitar by Dawson.

All in all, a wonderful bluesy Americana album immaculately produced with masterful playing throughout.